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Judi Dench is excellent as the mature Iris, conveying her (pre-Alzheimer's) intelligence and forceful character with sharpness--sharpness of eye, face and diction. Kate Winslet is appealing as the young Iris, soft where Dench is hard, but equally charismatic. Hugh Bonneville and Jim Broadbent as the young and old John Bayley, respectively, look so uncannily similar, and their performances blend so naturally, that they seem to be one actor, and a good one.

This proves habit-forming and soon she is busily solving the problems of every unfortunate she happens to encounter. It's all very freewheeling. One good deed spins off an unlikely tangent to another, characters float in and out of the action, and much of what happens is frankly implausible. Many would find Audrey Tatou's gangling Amélie utterly infuriating in real life, and they are probably not willing to give her the benefit of the doubt in fiction. For me the saving grace of the film is that most of the characters are as crazy as she is, offering a helpful squirt of lemon juice to cut the sucrose. 041b061a72